07-08
Composer Biographies


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    Mitchell Clark

    Marilyn Currier

    Anthony Green

    Garrison Hull

    Steven Jobe

    Michael Kelley

    Forrest Larson

    Jessie Montgomery

    Alec K. Redfearn

Mitchell Clark


 

Mitchell Clark is a Providence-based composer, ethnomusicologist, and writer about music. His graduate work was at Wesleyan University, Connecticut, in composition with Alvin Lucier and in Chinese music (studying the classical Chinese qin zither) with Wu Wenguang. Additional compositional studies have included those with Kenneth Gaburo and Henry Brant. Recipient of the Fellowship in Music Composition from the Rhode Island State Council on the Arts in 2002, Mitchell has specialized in music for piano, and in ensemble music for percussion and for strings.

Recent works include The Great Volume, a ballad opera to an original text. His works have been performed throughout the United States, as well as in Europe (including the former Soviet Union), Central America, and Southeast Asia. A recording of his A Fine Day for the Curious (and Wet), for an ensemble of bamboo stamping tubes, has been included in WaterFire Providence since 2001.

Recently, Mitchell was Research Fellow in the Department of Musical Instruments at the Museum of Fine Arts, Boston, where he curated the exhibition Sounds of the Silk Road: Musical Instruments of Asia (on view 2005-2006) and wrote the accompanying book of the same title.

Read more about Mitchell Clark here.

 

Marilyn Currier

Photo to be added

 

Marilyn Kind Currier was Professor of Music at Providence College from 1973 until 1997, and appointed Composer in Residence in 1980. Her works have been performed at Providence College, University of Rhode Island, The RISD Museum, and further afield in New York City's Carnegie and Merkin Halls, Boston, Chicago, San Francisco, Toronto, Spain, Sweden, and on National Public Radio.

She is the recipient of numerous awards, including two ASCAP awards, four RISCA fellowships, two Meet-the-Composer Grants, and three Yaddo fellowships.

Marilyn's two sons, Sebastian and Nathan, are both composers.



Anthony Green

 

To Anthony Green, music represents power, wonder, whimsy, and infinite possibility. This aesthetic has birthed the passion, wit, and variation found in his works, which cross genres.

His early experiences as an accompanist for high school music and theater groups, an arranger of vocal jazz, pop, and gospel works, and a solo performer of various music have all garnered his deep respect for music of all genres, and he never lost this respect and love. As an active performer, Anthony has participated in and given several recitals and concerts at Boston's Symphony Hall and Jordan Hall, as well as other venues in Massachusetts, Rhode Island, Virginia, Connecticut, and New York.

As a composer, he has received commissions from many colleagues, the Time's Arrow New Music Ensemble, and ALEA III, where his piece Light and Dark (a.k.a. Waves of Oaxaca: Reflections on Luis Pagan) was conducted by Gunther Schuller. He received the Boston University Honors Award for composition, was inducted into the Pi Kappa Lambda Music Honors Society, and participated in the Summer Institute for Contemporary Piano Performance. A commission to set an original children's story by Talia Etedgee for narrator, flute, and piano, has yielded the creation of Molly the Magnificent! which has been performed at St. John's United Methodist Church in Dedham, New England Conservatory, and various Boston elementary schools.

Recent commissions for a choral work, a flute and piano work, and a solo guitar work were premiered at New England Conservatory and Boston Conservatory, and his string quartet Chance, which won an Honors Ensemble Competition, was premiered at Jordan Hall. Anthony has also recently won Honorable Mention in the Classical Marimba League composition competition, and his work Idée pour marimba et piano will be premiered at Texas A&M University-Commerce in the spring of 2008.

As an educator, Anthony maintains a small piano studio (students aging from 5 to 26) and also tutors students in music theory and history. He holds a Bachelors of Music degree, Summa Cum Laude, from Boston University's College of Fine Arts, having studied composition with Martin Amlin, Richard Cornell, and Theodore Antoniou, and piano with Maria Clodes-Jaguaribe. He is currently enrolled at the New England Conservatory, pursuing a Masters of Music Degree as a student of Lee Hyla.

He is the pianist/organist for Providence's Olney Street Baptist Church, where he works with five ensembles.

Learn more about Anthony Green here.

 

Garrison Hull


                                         


Described by the Washington Post as "expressively engaging," and "the evening's climactic moment," Garrison Hull's music is distinguished by breadth of melodic line, lyricism, and clarity of tonality, all merged into a contemporary idiom.

Garrison is currently working on a work commissioned by the renowned violoncellist Brigitta Gruenther. His most recently completed work, Violin Sonata No. 2, written for the international renowned virtuoso duo of Michael Appleman, violin and Alexander Paley, piano, premiered in 2004 at Strathmore Hall, in the Washington, D.C. metropolitan area. The sonata was subsequently featured as the only new work at the 2004 Paley International Festival in Richmond, Virginia. His full-length dramatic opera Nancy, commissioned by Opera Theatre of Northern Virginia premiered in 2004. The Washington Post review reported that Hull's opera, Nancy "stands up well when compared with the...first operas of Verdi and Puccini." In 2000, his first violin sonata, the Strathmore, premiered at Strathmore Hall.

He has been interviewed on Voice of America and has been a regular contributor to the national monthly journal, 21st Century Music. He currently writes a regular column on concert music for Rhode Island's Motif magazine. He has also written scholarly articles including "Between the Staves" which was published in Sonus, the award-winning music journal. Garrison has twice been a Resident Fellow at the Virginia Center for the Creative Arts. He chaired the Virginia Music Teachers Association's Commissioned Composer Contest from 1991 through 1994. He has served as Board President and Music Director of the New Music Society from 1988 to 1993.

Garrison studied conducting with Russell Woollen, composition with Serge DeGastyne, and received his Bachelors Degree from George Mason University where he studied composition with Stephen D. Burton. He is on the Faculty of The Music School of the Rhode Island Philharmonic. He has served on the Board of the Rhode Island Chamber Music Series as co-chair of the organization's Program Committee. Garrison resides in Providence and is married to Karen Davie.


  Steven Jobe

 

Steven Jobe has played music since the late nineteen-sixties when he played electric bass in a rock band with his high school friends back in Ohio. Since that time he studied viola and Medieval music, earning a couple of degrees along the way (B. Mus., Rhode Island College; M.A., The Ohio State University).

Settling in Providence in 1984, he has continued to explore traditional and historical music on the viola, hurdy-gurdy and bassoon. In the process, he has collaborated with such musicians as accordionist/composer Alec K. Redfearn, harmonica virtuoso Chris Turner, violinist Laura Gulley, cellist Rob Bethel and vocalist Ellen Santaniello.
 

Composing since 1990, Steven's works include an opera, Jeanne d'Arc (1993) and music for dance, Bosch's Garden (2001). He composed Four Movements for string quartet and soprano in 2005, and was subsequently commissioned to compose the Concerto for Bassoon with strings, harp and celesta.

Beginning in 2000, Steven commissioned the design and construction of several large-scale instruments, including the Bosch hurdy-gurdy. Ten feet long with three wheels and an octave-and-a-half keyboard, it will be integral to his work in the near future.

Learn more about Steven Jobe here.

 

  Michael Kelley

 

 

Michael Kelley studied viola with Lenny Matczynski, Jeff Irvine and Karen Tuttle, and holds degrees from Oberlin Conservatory and The Juilliard School. He has been a prize winner at the Primrose International Viola Competition, a member of the Arden String Quartet, and a Teaching Fellow in Electronic Music at Juilliard. He is currently president of Trifecta Music for Film, a New-York based production company.

A frequent student at the Apple Hill Center for Chamber Music in New Hampshire since the age of 11, Michael has been performing as a member of the Apple Hill Chamber Players since 1996. He lives in Providence's West End neighborhood.

Learn more about the Apple Hill Chamber Players here.

 

  Forrest Larson


 

The roots of Forrest Larson's music are in working with old pre-digital analog electronic instruments and collecting of “found sounds” from both natural as well as urban landscapes. In his instrumental works, he explores the coloristic and lyrical possibilities of non-tonal harmonies. Some pieces combine electronic sounds and live acoustic instruments. He has written music for string orchestra as well as works for unaccompanied violin and cello. Recently he finished a piece for the MIT Wind Ensemble that incorporates sounds of Eastern seabirds. In February 2007 he was invited to perform electronic music on the experimental music series CTRL+ALT+REPEAT, which was co-sponsored by Mem1 and Community MusicWorks. His music has been performed at various venues in the Boston area, Ithaca NY, at Carnegie-Mellon University, Washington and Jefferson University, Southern Oregon University, and in Iceland.

As a violist, Forrest Larson has played in the New England Philharmonic, Boston Chamber Ensemble, and other chamber groups. Before becoming a violist he played violin in the Commonwealth Vintage Dance Orchestra, performed traditional Scottish fiddle music, and was the musician for the Middlesex Morris Dance Troupe.


  Jessie Montgomery

 

 

Jessie Nzinga Montgomery began her musical studies at age four on the violin at the Third Street Music School Settlement in New York City. Thanks to the creativity and expertise of her teachers Alice Kanack and Nicholas Scarim, she was already seriously involved in the art of improvisation and composition by age eleven. In 1998 and 1999, she was a recipient of the Composer’s Apprentice Award given by the Chamber Music Society of Lincoln Center.

After high school, Jessie pursued a bachelor’s degree in violin performance at The Juilliard School. Midway through her studies, she served as a composer for a new music series presented by the New York Youth Symphony in 2001. While living in New York City, she continued her studies with composers Derek Bermel, and Steven Burke. She has been a composer for two independent films, one of which was in collaboration with her father, Ed Montgomery, also a composer and independent film producer.

Jessie resides in the West End of Providence where she is a member of the Providence String Quartet and teaches violin, improvisation, and composition to Community MusicWorks students.

 

  Alec K. Redfearn

 

 

Alec K. Redfearn is a composer/songwriter/free improviser/accordionist etc. who has been playing in and around Providence for close to fifteen years.

In addition to being the leader of his own band, he has played in over thirty bands and been involved with dozens of theatre, dance, and film collaborations. He is predominantly self taught and he tends to work with musicians of all calibers. His songs, compositions and accordion playing are fiercely individual and his music has been very difficult to categorize.

Learn more about Alec's band, The Eyesores, by clicking here.



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