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Mission
To create a cohesive urban community through music education and performance that transforms the lives of children, families, and musicians. Our model is centered around the teaching, mentoring, program design, and performance activities of our musicians-in-residence, the Community MusicWorks Players.
Our Story
Founded in 1997, Community MusicWorks (CMW) is a nationally recognized community-based organization that uses music education and performance as a vehicle to build lasting and meaningful relationships between children, families, and professional musicians in urban neighborhoods of Providence, RI.
Founded by Sebastian Ruth with start-up funding from the Swearer Center for Public Service at Brown University, the program began modestly in 1997 with 15 violin students. Today, CMW is a thriving organization with 12 professional resident musicians and more than 100 neighborhood children participating free of charge—some for as long as 10 years—regardless of talent or ability.
CMW was built around the permanent residency of the Providence String Quartet, which was founded in 2001. Participants in CMW’s two-year Fellowship Program for young professional musicians comprise the Fellows String Quartet. Fellows also perform in collaboration with the members of the Providence String Quartet and CMW’s other resident musicians as the Community MusicWorks Players. All resident musicians teach instrument lessons, mentor students, perform locally, and organize community-building and educational events.
Our students, who live in Providence’s South Side neighborhoods, participate in after-school programming and receive instruments free of charge. Students have weekly lessons, participate in a weekly community day that includes studio class and ensemble playing, attend educational workshops led by guest artists, and perform several times a year. Teens are eligible for a leadership development group called Phase II, in which they engage in discussions about social justice, mentor younger students, and work together to create relevant musical events in their community. All students are also offered weekly enrichment classes, including Media Lab, Fiddle Lab, and Music Lab.
Our student retention rate is close to 90 percent annually, with some children participating for as many as 10 years. There is a waiting list at all times, and special efforts are made to include waiting list families in our free events. In 2006, in response to interest from like-minded professional musicians nationwide, and in order to reduce the waiting list, CMW added its two-year Fellowship Program which served to double student enrollment. Since then, providing resources for musicians seeking to create careers that combine artistic and civic goals has become a major component of our work. A three-year investment from The Andrew W. Mellon Foundation in 2008 led to the creation of CMW’s bi-annual Institute for Musicianship and Public Service, an opportunity for musicians to gather in Providence to draw inspiration from CMW and develop strategies to apply to their own community-based work elsewhere.
CMW has been featured in The New Yorker as a “revolutionary organization in which the distinction between performing and teaching disappears.” The program has also received numerous awards, including a CMAcclaim Award from Chamber Music America for “significant and lasting impact on their community” and the Jabez Gorham Award from the Arts & Business Council of Rhode Island for “unwavering commitment to excellence, significant impact on the community, and success in organizational development.”
We receive strong ongoing support from our local community, and from a growing community of fans across the country. Our students’ enthusiasm for learning about music continually reinvigorates the many artists and educators who visit us each season, including members of our Advisory Council, a group dedicated to advancing and promoting CMW’s artistic and organizational goals.
CMW is a founding member of the Providence Youth Arts Collaborative, a partnership of six non-profit community-based arts organizations using arts education as a strategy to empower the youth of the Providence and greater Rhode Island.
Our History
1997-1998
Budget:
$15,000 (public service fellowship grant)
15 students enrolled
Sebastian
Ruth graduates from Brown University and begins providing free violin
lessons at the West End Community Center
Members
of the Nahanni String Quartet (including Sebastian Ruth and Minna
Choi) perform around Providence to generate interest in the idea
of Community MusicWorks, initially named the South Providence Community
Music Program
1998-1999
Budget:
$12,000
20 students
enrolled
Minna Choi,
also a Brown University graduate, joins Sebastian Ruth in teaching
violin lessons
First Performance Party, held
at the West Broadway Neighborhood Association office
Several Musical Workshops held at Providence City Arts on Broad
Street
Sebastian
Ruth continues to research and plan for the development of a professional
string quartet residency
1999-2000
Budget:
$42,000
25 students
enrolled
Heath Marlow
(cello) and Colleen Jennings (violin) commute from Boston to teach
lessons one day a week and perform occasionally with Sebastian Ruth
and Minna Choi as an informal string quartet
2000-2001
Budget:
$65,000
36 students
enrolled
String quartet
residency created, musicians paid on an hourly basis
Community
MusicWorks co-sponsors an arts education symposium led by Maxine
Greene
Ben Rous
replaces Colleen Jennings, commuting once a week from Boston
Community MusicWorks featured in The Christian Science Monitor
2001-2002
Budget:
$110,000
51 students
enrolled
Salaried
positions for a string quartet are created
Jesse Holstein (violin) and Sara Stalnaker (cello) move to Providence,
replacing Heath Marlow and Ben Rous
Westminster
Street storefront office acquired
Phase
II teen group added to programming
2002-2003
Budget:
$187,000
60 students
enrolled
Community
MusicWorks receives first grant from the National Endowment for
the Arts
VISTA volunteer
improves organization's infrastructure
2003-2004
Budget:
$243,000
65 students
enrolled
Rehearsal
studio added to storefront office
Anne Simmons
hired as Administrative Assistant
Heath Marlow
returns as Development Consultant
Community
MusicWorks presents Education,
Art, and Freedom, a two-day symposium featuring Theodore
Sizer and Deborah Meier
Community MusicWorks featured in The Boston Globe Sunday Magazine
2004-2005
Budget:
$284,000
65 students
enrolled, waiting list reaches 100
Development
Consultant position increased to fulltime Managing Director
Administrative
Assistant position is increased to Program & Administrative
Coordinator
Jessie Montgomery replaces Minna Choi in the Providence String Quartet
Community
MusicWorks is the cover story in Chamber Music Magazine
2005-2006
Budget:
$327,000
65 students
enrolled, 90% retention rate
Community
MusicWorks selected as one of fifty premier after-school arts programs
in nation in by the President's Committee on the Arts and the Humanities
Phase II
students begin rehearsing chamber music twice a month on Friday
evenings
Community
MusicWorks receives a Champion in Action award from Citizens
Bank and NBC 10
Chamber
Music America awards Community MusicWorks a three-year grant for
Providence String Quartet residency activities
2006-2007
Tenth Season
Budget: $484,000
100 students
enrolled, increase due to addition of Fellowship
Program
Chloe Kline (viola) and Laura Thomas-Merino (cello) participate
in pilot year of Fellowship Program
Minna Choi
returns as Fellowship Program Director, also teaching violin
Liz Cox replaces Anne Simmons as Program & Administrative Coordinator
The Surdna Foundation awards Community MusicWorks a three-year grant
for programming for teens
Community MusicWorks lauded as a “revolutionary organization” in
The New Yorker in an essay
by Alex Ross on the state of music education in America
2007-2008
Budget: $591,000
115 students enrolled
Rachel Panitch and Arlyn Valencia join Chloe and Laura in the Fellowship Program
Community MusicWorks rents out the third floor above the storefront office for added meeting space and instrument storage
Community MusicWorks presents Imagining Art + Social Change with the Providence Youth Arts Collaborative
The Community MusicWorks Players is formed and each concert program throughout the season features a work by a local composer
Community MusicWorks receives a planning grant from the Andrew W. Mellon Foundation to develop strategies for sharing our model
Community MusicWorks featured in RI Monthly
Drs. Dennie Palmer Wolf, Shirley Brice Heath, and Eileen Landay work together to develop a program evaluation which is successfully piloted during the spring semester
2008-2009
Budget: $632,000
110 students enrolled
Jason Amos and Adrienne Taylor join Arlyn and Rachel in the Fellowship Program
Chloe Kline hired as the Writing Coordinator
Jori Ketten hired as the Evaluation & Communications Consultant
CMW holds first Institute for Musicianship and Public Service
CMW receives three-year $300,000 grant from The Andrew W. Mellon Foundation for sharing our model
CMW commissions Kompa Variationsby Daniel Bernard Roumain, Earned by Anthony Green,
and Anthem by Jessie Montgomery
Dr. Dennie Palmer Wolf completes 18-month participatory program evaluation
2009-2010
Budget: $670,000
110 students enrolled
Aaron and Carole join Jason and Adrienne in the Fellowship Program
Media Lab is successfully piloted
Participatory program evaluation website is launched
First volume of CMW Compendium published
5-year strategic plan (2010-2015) is approved
PYAC presents first Youth Arts Day
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